Wednesday, June 22, 2011

Tantra in daily life (Part 8)


Those were days when I was studying 8th or 9th standard in school. I remember a Sunday morning when I woke up, jumped out of bed and ran sleepy eyed and groggy to the drawing room, to grab Indian Express before my father or anybody else at home laid there hands on the copy.
My classmate had to remind me many times the previous day (Saturdays were always half-a-days at school) to go through Peter Vidal's weekly forecast ( looking animated, she told me fervently in true schoolgirl spirit,"don't forget to read Peter Vidal's column in Indian Express ya, it is soooooooo true ya!! EVERYTHING he writes comes true, it is like magic ya!! Surely it will come true even for you ya!!). Even though I had my own doubts, I was curious as hell, I replied, "Yes ya!!"
My heart beating fast I scanned the magazine section hoping to find fairy tale stuff for Scorpios. I still remember how let down I felt when I read what was predicted for Scorpios. The forecast was all about repairs of old pipelines being a grand success that week and also a possible visit to the doctor towards mid-week. So much for my friend's great recommendation!I prayed fervently to God that the prediction should not come true, till date I hate going to the doctor and old or new,pipelines simply do not exist in my world!
The next day in school I had a tiff with my classmate about Peter Vidal. "All lies, I don't believe his prediction ya!" Looking very hurt she replied ardently, "No ya, even this week what he wrote about me came true!"
"Maybe he hates Scorpios!" I said heatedly.
"Nothing of that sort ya! Even for me the first few weeks nothing came true ya, after 3 or 4 weeks everything he said started coming true, as though he is writing only for my sake, it is like magic!"
"Don't tell me for you Librans he writes all about chocolate houses and picnics to great places and only for Scorpios he predicts old pipeline repairs!"
Wide eyed she replied, "No ya, once he wrote that I would meet with an accident. I was very careful and alert while walking on the road, but you know what?! I slipped and fell in my bathroom!"
"Really!!" fascinated, I decided to wait patiently for his predictions about Scorpios to come true.
The predictions for the following 2 to 3 weeks had no effect on my routine life but my interest in reading Peter Vidal's forecast stuck on and I continued to read his star forecast every Sunday without fail.
Around the 4th Sunday it suddenly struck me that the previous week went on just as Peter Vidal had predicted. Instantly alerted, I went through the star forecast for the following week with renewed interest. While reading the forecast I had a strong hunch that the prediction was going to come true the forthcoming week and Voila- the week turned out to be as predicted!
Gradually the weekly predictions, if not all of them, atleast most of them shaped into reality for me and I became a dedicated follower of Peter Vidal.
Somewhere along the line I lost touch with his columns but coming to think of the whole thing I firmly believe that there has to be a certain mechanism behind the manifestation of something as mundane as general forecast of sun signs. Only natal horoscope charts of individuals contain intricate dimensions of his/her nature, personality and events related to past, present and future of the native. Whereas a general forecast is based on mere sun signs and every sun sign relates to zillions of natives around the world and for the entire world to go through only 12 kinds (based on 12 sun signs)of events or circumstances every week is ridiculous if not bizarre!
The secret behind the materialization of a star forecast:- Those natives for whom the predictions fail are mostly the ones who are not reading the astrologer's columns!An avid follower of forecast columns is usually optimistic or wants solutions to his/her problems.
Therefore, those who go through the forecast are wishing/hoping/praying for the predictions to come true or bear fruit. Fervent hope and belief in the prediction are the driving forces behind its manifestation!
Our thoughts and beliefs are our lives. Instead of allowing somebody else to shape our lives according to their forecast,we could very well write down our own forecast. Just pen your dreams, desires and ambitions, with as much colour as you want. Believe in what you write! Let the writings be in present tense! They may sound like affirmations, no harm!
Maybe the first 2 or 3 weeks nothing may happen, but watch from the 4th week onwards- as accurate as Peter Vidal's forecast and just as my classmate said, it will be MAGIC ya!!
(To be continued.....)

Saturday, June 18, 2011

Sri Venkatachala Mahathyam (wedding chapter 148-156)

Lord Agni Deva who cooked the feast for the Lord's wedding

(Continued from June 4th, 2010 posting)

148)Ithi Devasya Vaakyaani Prashashamsurmaharshyaha!
Thadhaa Cha Kruthavaan Jaathavedaahaa Vedavishaaradhaha!!

Meaning:
The sages and monks in the gathering were pleased by the Lord's instructions. The learned Vedic scholar that He was, Agnihothra carried out the Lord's wishes.

149)Evam Vichithrakarmaani Harervaikunthavaasinaha!
Yugaanusaarinasthasya Thadbhuthavidambanam!!

Meaning:
It was fascinating to witness the Lord who resides in Vaikuntha, The One who reincarnates as the celebrated Forms according to "yugas" ( name of an 'epoch' or 'era' consisting of four yugas namely, 'Sathya Yuga", 'Threthaa Yuga', 'Daapara Yuga' and 'Kali Yuga') behaving like a human being!

150)Achinthyam Devathaakaaryam Avaangmanasagocharam!
Agnihi:-
Dadhyodanathilaanne Cha Paramaannam Madhusravam!!

Meaning:
The words and deeds of God are beyond human mind or speech!
Afterwards, Agnihothra went ahead and prepared curd rice, rice mixed with sesame seeds, and sweet rice kheer dripping of honey.

151)Maashaapoopaahaa Gudaapoopaahaa Shaakadvaya Mathaha Param!
Sarvam Supakvathaam Neetham Thvathprasaadeyna Keshava!!

Meaning:
Snacks made of Urad Dhal, sweet pancakes made of jaggery, two varieties of vegetable curries have been prepared due to the Grace of Thee!!

152)Amanthraya Dvijendraamscha Suraanapi Muneenapi!
Agnivaaneem Samaakarnya Sreenivaaso Niraamayaha!!

Meaning:
...So please invite the learned brahmins, Devaas and sages' and Lord Sreenivasa felt pacified and to invite them....

153)Sampreshayachchivasutham Shanmukham Midhileshwara!
SREE SESHAADRAUKASHYAPAADIBHYO BRAHMAADIKRUTHOPACHAARAPRAKAARAHA
Sajagaamaathiveygeyna Japathognipraayanaan!!

Meaning:
The Lord called out to Janaka Maharaja to summon Lord Shanmukha, son of Lord Shiva.
ON SESHAACHALAA LORD BRAHMA WAS PAYING OBEISANCE TO SAGE KASHYAPA.
Lord Shanmukha rushed towards in their direction and hastened Lord Brahma, Sage Kashyapa and the pit of fire (agnihothra) surrounded by mantra-chanting...

154)Braahmanaan Vedavidushaha Aajuhaava Janaadhipa!
Paaka Ssampoornathaam Uththishtatha Suradijaaha!!

Meaning:
Learned brahmin scholars who are the best among twice born, noble personages! Please be kind enough to grace the luncheon, the food is ready!!

155)Ithi Thena Samaahoothaahaa Kashyapaathripurogamaaha!
Devaashcha Nikatam Thasya Paakasthaanasya Bhejirey!!

Meaning:
On receiving the invitation, Sage Kashyapa and Sage Athri in the company of other learned sages and Devaas rushed towards he dining hall.

156)Vibhajya Thathra Vidhivath Paathrabhoothaan Prudhak Prudhak!
Panktheeshcha Kaarayithvaadha Thaarathamyaanusaarathaha!!

Meaning:
Lord Shiva who was assigned the duty of attending to the guests, seated them in different groups according to their ranks.

(To be continued....)

Saturday, June 11, 2011

Tantra in daily life (Part 7)

Tripura Bhairavi:-Hormonal balance in females, cure of problems related to menopause, courage and ability to cross hurdles and defeat of enemies.(She is the matured and tougher form of Tripurasundari, in whom menstruation has stopped completely. She is fierce and She is the Supreme Goddess who creates, sustains and at the same time destroys the manifested world.)
Raga Bhairavi in all its sublime melody represents Tripura Bhairavi.





Tripurasundari:- Beauty, charm, enhancement of feminine elegance (in male practitioners enhancement of overall charm), magnetism towards opposite sex, ability to entice people, charismatic looks /demeanour and influence in high places, contacts with royal personages.(This Red Goddess is an enchanting beauty of the Three Cities, in Her prime of youth. She is the main Goddess worshipped by Tantriks who belong to the Shaaktha tradition called as "Srividya Upasana.")
Raga Kalyani invokes Her. The delicate and delicious nuances of Kalyani epitomise and bring to life the form of Maha Tripurasundari in all Her beauty, grace and passion. Contemplation of this raga establishes contact with this Divine Beauty.





Balatripurasundari (Child form of Tripurasundari):-Brilliance, mental agility, dynamism and tremendous ease in achieving goals.(Bala is the child form of Tripurasundari and believed to be accessible and merciful to Her devotees. Her child-state makes the path easier for the practitioner to reach Her. Child that She is, She responds readily with eagerness and innocence. The best Form to worship.)

Raga Sudhdha dhanyasi cascades into Her form.

Sudhdha Saveri is the basic and general raga of all forms of Shakthi.

(To be continued.....)






Saturday, June 4, 2011

Tantra in daily life (Part 6)

Goddess Saraswathi DeviA child sits naturally erect while playing the veena, the 'veena dandi' while the veena rests on the child's lap, comes up to his/her arm level. The child is able to run its hands across the frets of the veena without looking down and stooping, the act causing his/her spine to bend. A child between between 4-6 years of age has to reach up for the 'dandi' to be able to play the veena and a child between 6 or 7 years of age to 13 or 14 is able to handle the 'dandi' by sitting naturally erect which results in a straight spinal posture. Why is it essential to keep the spine erect while playing the veena? (Kindly refer to my earlier posts on the science of veena and meditation through veena yoga).
Adults and tall practitioners may place cushions below the 'kudam'(the dome on the right side) to raise its height to elbow level and place correspondingly more number of cushions (more number than the right side)below the 'surakkai' (the left side rest of the veena) to make the left side of the veena raise above the right side, making it look inclined. The practitioner now sits between the right and left cushions to play the veena without placing the 'surakkai' on his/her thigh. The idea is to raise the height of the veena for the comfort of the practitioner, so that he/she does not have to bend or stoop to run the hands across the frets or to pluck the strings.
Many times I thought of even sitting in "Vajrasana" (this asana is most effective in accelerating the flow of pranic energy) for playing the veena, I should try it sometime! Rudra veena is played on "Vajrasana".
Now, as the practitioner settles comfortably with a raised veena according to the length of his/her torso, he/she should now concentrate on posture.
First push back shoulders, raise the chin up and look straight ahead as you play the veena. It is absolutely necessary to sit as erect as possible for free flow of pranic energy from the muladhara to upwards. The only disadvantage in such a posture is that the player cannot look down at the frets while playing. This may cause some slips in the swaras (notes), but for an advanced practitioner it may not be difficult. It helps to practice in a dark room without the lights on. To play veena for meditation, one must play without following the movements of the left hand with one's gaze.
The practitioner need not worry about the breath patterns, the melody and purity of the music which he/she is producing becomes the breath-regulator. At a point when the practitioner is lost in the melody, suspension of breath or 'kumbhakam' which is the key factor for 'kundalini yoga'(breath retention) becomes a natural phenomenon.
To practice as stated above on an "Ekanda Veena" ( veena which is not made of separate woods and joined at the neck region but made of a single piece of wood without a joint piece at the neck region) made of pure jack fruit wood yields maximum results. The benefits are bountiful and the practitioner witnesses great changes for the better in life. The pranic force generated by such a yogic rendering of veena surpasses all the benefits derived by usage of high potency vitamins, high potency nerve related or anti-stress medication. Veena is a magical instrument if rendered as per yogic principles.

Mantras for Veena:-

For practitioners who are unable to progress in veena for whatever reasons:-

BALATRIPURASUNDARI STOTRAM:-

"Veena Vaadana Thathparaam Thrinayanaam Mandasmithaam Sanmukheem
Vaamey Paashadhanurdharaam Thu Nikarey Baanam Thathaa Dakshiney.
Paaraavaaravihaarineem Paramayeem Brahmaasaney Samsthithaam
Vande Sankatanaashineem Bhagavatheem Maathangineem Baalikaam."

TRIPURASUNDARI ASHTAKAM:-

"Kadambavanavaasineem Kanakavallakeedhaarineem
Mahaarhamanihaarineem Mukhasamullasadvaaruneem.
Dayaavibhavakaarineem Vishadarochanaachaarineem
Thrilochanakutumbineem Thripurasundareem Aashraye."

TRIPURASUNDARI MAANASAPOOJA STOTRAM:-

"Veenaamupaanthey Khalu Vaadayanthyai
Nivedya Sesham Khalu Seshikaayai
Sowarnabhrungaaravinirgatheyna
Jaleyna Shudhdhaachamanam Vidheyhi."

The Eleventh chapter of Durga Sapthasathi.

All Durga related mantras.

"Vim" is the Bheejaakshara for veena.

Best Veena Mantra:-

"AIM HREEM SHREEM NAMO BHAGAVATHYAI VIM VEENAAYAI MAMA SANGEETHA VIDYAAM PRAYACHCHA SWAAHA."

(To be continued...........)



Friday, May 20, 2011

Tantra in daily life (Part 5)

GODDESS SARASWATHI DEVI

Goddess Annapoorna Devi: Good digestive system, cures Irritable Bowel Syndrome
, anaemia, malnourishment. It is commonly believed that by praying to this Goddess one can obtain plentiful food like grains, delicious eatables etc. While this could be true only to a certain extent, the main effect of praying to this Goddess is felt in absorbing and digesting the best elements of whatever food that is consumed by the devotee. Hygenic and fresh food (essentially vegetarian and consumed within 8 hours of cooking) contains the best of 'tattva' (nature). The core and essence of this 'tattva' is absorbed when consumed by the devotee, enhancing his/her mental vision/clarity and physical glow/lustre . The grace of Goddess Annapoorna Devi results in healthy and charismatic appearance.

Goddess Saraswathi: Intellect, enhanced analytical skills, power of speech, shrewdness, extraordinary mental strength, skill in fine arts and occult subjects. Interestingly this Goddess's boon of art is a result of all the mental skills bestowed by Her. Ideal for students and almost everybody who seeks knowledge.

Goddess Lakshmi: Prosperity, contentment, optimism and fulfillment in every sphere of life. Prayers to this Goddess brings tremendous peace of mind and contentment. Contrary to popular belief (that this Goddess showers Her grace through cash and jewellery), Goddess Lakshmi gives great contentment that cannot be obtained even after possessing enormous wealth like vast estates, cash or jewellery. "Lakshmi Kataaksham" (Grace of Goddess Lakshmi) is visible in lustrous looks, tranquility and serenity of features, absolute contentment and a hint of a smile at all times.
(To be continued.....)

Tuesday, April 19, 2011

SRI GURU GEETA

The holy scripture, " Sri Guru Geeta" reveals how Lord Shiva in His lessons on "Guru" to Goddess Parvathi strongly condemns fake "Gurus". Sri Guru Geeta is a part of Skaanda Puranam, authored by Sage Vyasa. This sacred scripture contains 351 slokas. Gems like excerpts about fake Gurus as Lord Shiva addresses the following slokas to Goddess Parvathi:-

198)Gnaanaheeno Guru Sthyaajyo Midhyaavaadee Vidambakaha
Svavishraanthim Na Jaanaathi Parashaanthim Karothi Kim.

Meaning:
Do not recognise a foolish man as Guru. One who is quarrelsome and deceptive cannot achieve his own peace. When that is the case, he is not eligible to bring peace to his devotees.

199)Shilaayaaha Kim Paragnaanam Shilaasangha Prathaaraney
Svayam Tharthum Na Jaanaathi Param Nisthaaraye Thkadham.

Meaning:
Such a person is like a big stone. He has the tendency to cheat few devotees. When this fellow himself does not know how to cross the shore of human life, how can he lead others?!

200)Na Vandaneeyaa Sthey Kashtam Darshanaa Dbhraanthikaarakaaha
Varjaye Ththaanguroon Doorey Dheerasya Thu Samaashrayeth.

Meaning:
Fake Gurus who terrorise devotees just by their gaze are not fit to be worshipped. Such a Guru is to be chased away. Always worship a Guru who has knowledge of Self.

201)Paashandinaha Paaparathaa Naasthikaa Bhedabudhdhayaha
Sthreelampataa Duraachaaraaha Kruthaghnaa Bakavruththayaha.

Meaning:
Pompous Gurus who are interested in bad vices, self-advertisement, atheism, propagation of controversial subjects, debaucherous, ungrateful and indulging in fake prayers are to be discarded.

202)Karmabhrashtaaha Kshamaanashtaa Nindyatharkaishcha Vaadinaha
Kaaminaha Krodhinashchaiva Himsraashchandaashshathaa Sthadhaa.

Meaning:
Gurus who are unethical, immoral, impatient, who indulge in wasteful arguments, full of desires, aggressive and short-tempered and like to harass/torture, who are adamant and horrific by nature, yet advertise themselves as Gurus are also to be rejected and discarded.

203)Gnaanalupthaa Na Karthavyaa Mahaapaapaa Sthadhaa Priye
Ebhyo Bhinno Guru Ssevya Ekabhakthyaa Vichaarya Cha.

Meaning:
Never consider a foolish man or a sinner as Guru. After careful inquiry, identify the correct person who has knowledge of Self and worship Him with faith.

204)Sishyaa Danyathra Deveshi Na Vadhey Dhyasya Kasyachith
Naraanaam Cha Phalapraapthau Bhakthi Reva Hi Kaaranam.

Meaning:
Devi, please do no preach this to anybody other than the best devotee. A devotee attains the fruit of knowledge only through devotion.

Sunday, April 10, 2011

Tantra in daily life (Part 4)


LORD SHIVAGods and Goddesses are characterized by specific 'tattva' (nature) exuded by Their respective forms. We pray to particular Gods in the forms of Maha Vishnu, Shiva, Subrahmanya etc., and Goddesses in the forms of Maha Lakshmi, Saraswathi, Durga, Kali, Annapoorna Devi, Kamakshi, Meenakshi, Visalakshi etc. because they are our family deities ("kula deivam"), or as a ritual to fulfill a certain religious commitment. Rarely it is also due to love for the deity.
By worshiping a particular deity over a significant amount of time, the 'tattva' of the deity is imbibed by the devotee as he is gradually able to create a fine thread of connection with the particular 'tattva'/nature or quality of the deity. Therefore the devotee is succesfully able to perceive the 'tattva' by sponging off the quality or nature of the deity through effective chanting of mantras or meditation on the chosen deity.
Here are a few 'tattvas' imparted by Gods and Goddesses ( material benefits are not mentioned here):-

Lord Maha Vishnu: Tranquilising, peaceful and coolness of mind.Chanting of Sri Vishnu Sahasranamam is the Maha Shanthi mantra which yields enormous peace and wisdom. This stotra, combined with Lakshmi Ashtotharam bestows great peace of mind, clarity of thought, elevation of mind and wisdom. Chanting of this Maha Shanthi mantra solves critical problems in life. When "Aapadudhdhdaaraka Stotra" is chanted after Sahasranamam, even the most critical health problems are solved. The essential 'tattva' one derives by chanting this stotra are wisdom, maturity and a peaceful demeanour. Worship of Maha Vishnu through Sri Vishnu Sahasranamam or Ashtaakshari (Om Namo Narayanaya) is highly suitable for hyper-active, highly strung,aggressive, nervous and sensitive people. Suited for people with high blood pressure.

Lord Rama: Willpower, mental strength and self confidence. Worship of Lord Rama enhances self-esteem, will power, strength of mind, ability to get rid of bad vices. The mere chanting of Rama nama yields astounding benefits. "Sri Rama" (Sri-yin, Rama-yang) balances the ida-pingala nadis in the body ensuring proper blood circulation and general good health.

The mela raga Hari Kambodhi is a Vishnu Tattva raga, extending to Rama Avathaara. "Rama Nannu Brovara", "Dinamani Vamsa", "Undedi Ramudu Okkadu", "Enthara", "Enduku Nirdaya"... etc. are vibrant krithis of Saint Thyagaraja providing deep insights into the majesty of Lord Vishnu and Rama Avathara. The rendition of these krithis are to be treated as meditation on Lord Vishnu/Rama for great spiritual elevation.

Lord Krishna:- Contentment. The Jagath Guru, Giver of Knowledge of the Ultimate Truth, He offers solace to the deprived. Srimad Bhagavatham is an ice pack for the agitated mind as Lord Krishna makes Himself felt through this grand scripture even in this day and age!!!!
Combined worship of Lord Krishna and Radha balances the yin and yang in oneself bringing about contentment and ending the search for temporary and worldly love. Quest for external love and companionship is discovered within through worship of Radha and Krishna. The worship of the Divine Lovers results in filling the void in the practitioner.

Raga Mohanam and Bilahari.

Lord Venkateswara/Balaji: Aptitude and attainment of high profile life, luxuries, material enjoyments and spiritual contentment.
The Sri Yantra, which is the yantra of Goddess Balatripurasundari was installed in the sanctum santorum of Lord Venkateswara Temple in Tirupathi. It is because of this "Bala Yantra" that the Lord is known by the name "Balaji!"

Raga Abheri and Surati.

Lord Shiva:- Spiritual bliss and detachment.
For people pursuing the spiritual path. Equanimity of mind.

Raga Panthuvarali, Hamsanandi and Kambodhi.

Lord Vighneswara::- Rejuvenation. Worship of "Muladhara Murthy" (One who resides in the muladhara chakra or base chakra) activates the chakra, removing blockages and rejuvenating the entire system. The practitioner is able to perceive a burst of energy within and the rush of adrenalin. Suitable for depressed, dispirited and weak people.

Raga Nata, Gowla, Hamsadhwani and Malahari.

Lord Subrahmanya:- Dynamism, optimism, outgoing and action-oriented.Worship of Lord Shanmukha is highly suitable for the pessimistic, shy and vulnerable lot. Worship of this God makes one assertive and bold in confrontational situations. Ideal for fighting court cases and defeating enemies.

Raga Shanmukhapriya.

Lord Anjaneya:-Fearlessness, courage and valour.Worship of Lord Hanuman is ideally suited for people wanting to get rid of their phobias. Also for people to come out of imprisonment, fighting critical situations and mental ailments such as schizophrenia, paranoia and hallucinations.

Raga Athana and Kanada.

(To be continued......)

Monday, March 21, 2011

Chandrama Manaso Jaathaha

Moon-like face of the Goddess Durga

Moon was closest to earth on the full moon day of March 20th, 2011 ( sometime between 19th midnight to 20th sunrise) in approximately 18 years or so. Even if the moon was still 356,577 kms. away, the size of the moon was 14% bigger than its usual size and 30% brighter than usual!!
Sri Adi Sankaracharya's Soundarya Lahari clearly conveys that the Goddess who is the Divine Spouse of Lord Shiva is the embodiment of moon. Her moon-like lustre and moon-like countenance are described most poetically by the great saint in almost all the 100 slokas of Soundarya Lahari. The day when Super moon happened was a full moon in the constellation of Poorva Phalguni (the nakshatra of Goddess Kamakshi/ Sri Bala Tripura Sundari).
"Chandrama Manaso Jaathaha", this verse from Purusha Sooktham conveys that the moon is born out of the mind. The approach of the Goddess closer to earth could be felt in the instant cooling of the mind.

Wednesday, March 16, 2011

Tantra in daily life (Part 3)


Dasami thithi comes bang after the trying duo of Ashtami/ Navami. "Ashtami Navamulu Kashtapu Dinamulu", my mother keeps repeating my grand father's words, which means, "Ashtami Navami are difficult days". It is believed from times of yore that these two days that come one after the other are filled with negativity and therefore subject mankind to unexpected difficulties through obstacles and misfortune. Sri Rama Navami and Sri Krishna Ashtami are reminders that Divinity is all encompassing, leaving no scope for negativity. I also associate Ashtami with "Durga Ashtami" and Navami with Nava Durga.
An elderly priest once advised me to have oil baths on Dasami thithis. This practice (of having oil bath on Dasami thithi) would remove all negativity/misfortune subsequently yielding peace, joy and prosperity to the practitioner. Since Dasami comes right after Ashtami/Navami, it is possible that through oil bath we are cleansing by way of oil bath all the accumulated negativity of the previous two days! It doesn't harm to even give the house a thorough cleaning or changing the linen on a Dasami.
While on Durga, the Guardian Angel, (lexigram/anagram of DURGA is GUARD), it is advisable to stick Her picture on the main entrance door to ward off evil and negativity. The powerful image of Goddess Durga on the main door offers protection to the residents inside the house.
Even if spirituality is all about elevated thinking and contemplation of God, a simple practice in daily life brings about an instant rejuvenation of mind and life in general. If one's pooja room consists of very few photographs of Gods and Goddesses, the task would be simpler. Better still, if there is only one photograph or a just a couple of more God photos in the prayer room. More the photos, tougher the task!
Wash the photos (if difficult to remove, just wipe with a wet cloth and then with a dry cloth) clean. Make a wet paste of sandalwood powder. With devotion mark the key points of Gods'/Goddesses' images which are the forehead (between eyebrows), all the hands and feet, heart region with the sandal paste. On top of the paste stick red kumkum/vermillion. This procedure instantly cleanses, energises amd enhances the divinity of the act/subject and the doer, merging them into one. The resulting divinity and prosperity has to be enjoyed to be believed!
(To be continued...........)

Monday, March 14, 2011



Sri Venkateshwara

kAraNaparachidrUpAyai namaH

matsyakUrmavaraahaadinAnArUpavidhAriNyai namaH

veMkAro.amR^itabIjastu kUTamaishwarmamuccvhyate |
amR^itaishwarya saMghatvaadvenkaTAdri iti smR^itaH || [vArAhe 36-32]

The hill that grants eternal bliss is Venkatachala. Or, Vem refers to sin and kata, to destroy. That hill which destroys the sins is called Venkatadri. The lord of such a hill is called Venkatesha or Venkatadrisha. From time immemorial, the formless Brahman has been worshipped in his saguNa aspect as Shiva, Shakti, Vishnu, Surya, Skanda and Ganapati. Followers of each of these forms claim their chosen deity to be superior over the rest, ignoring the lofty truth of the Upanishads, which proclaim that the Parabrahman is formless and that these murtis represent the saguNa aspect of the same Brahman.

Does Sri Venkatesha at Tirumala represent Vishnu, Shiva, Shakti or Subrahmanya? This question has been raised, answered and contested by several individuals and sects for several centuries now. Sri Venkatesha has been worshipped by Jains worshipped as Adimuleshwara, Vaishanavas as Srinivasa, Shaivas as Harishankara and Shaktas as Sri Bala Tripurasundari. There are enough reasons to associate this mUrti with Shiva, Shakti, Vishnu and Subrahmanya. I will not list the reasons why this mUrti is associated with Srimannarayana as these are already well known.

Association of Sri Venkateshwara with Lord Mahadeva and his parivAra:

1. Early Azhwars [Vaishnavaite saints] praised Venkateshwara as a blend of Hari and Hara. In some of the older pasurams of Azhwars, the lord is said to have worn Chakra and Parashu, signifying Hari-Hara-Samaikya Murti But after the advent of Ramanujacharya, this practice was severely discouraged. By this time, Shaivaites called him Shiva and Vaishnavaites called him Vishnu. This becomes clear after one reads several shAsanas in the name of a local king called Thalalu Gosina Yadava Rayalu. He was a staunch devotee of Ramanuja who beheaded 101 Shaivas who claimed Venkatesha to be Shiva. For his staunch adherence to Sri Vaishnava philosophy, he was honored by Ramanuja with the title Sri Bhashya, to be named after him. We find the mention of this king with the epithet Sribhashya Yadava Rayulu. It is said that the original deity at Venkatachala did not sport Shamkha or Chakra or even the Srivaishnava Tilaka we see today. After a series of conflicts between Shaivaite and Vaishnavaite assemblies in Kalahasti and Tirupati, Ramanuja fitted Shankha and Chakra to the hind wrists of the original deity.

2. The Mula mantra of Venkatesha is of nine and eight letters [ashtakshari and navakshari], both of which refer to Venkatesha and not Srinivasa. Traditional Vaishnavaites have always preferred to use Srinivasa and not Venkateshwara as the word 'Isha', though meaning 'Lord' in general terms, was always seen with suspicion as only referring to Lord Shiva. Also, the Dhyana Shlokas for these mantras [given in Brahmanda and Brahmavaivarta Puranas] refer to nAgabhUshana and Srivatsa chinha which suggest a Hari-Hara murti.

3. It is a practice to worship Srinivasa with Bilwa during Dhanurmasa. Bilwa is very sacred for Shivarchana and traditional Vaishnanas stay away from Bilwa, though it is recorded as sacred for the worship of Mahalakshmi as well.

4. The idol of Srinivasa has a jaTA - matted hair, which is a lakshana of Shaiva Murtis.

5. On Shivaratri day, all archakas of the temple visit Kshetrapalas and Abhisheka is performed according to Shaivagama. Though Srivaishnavaite scholars claim this to be non-traditional, this practice is still in vogue. This is suggestive of a greater celebration on this day in the main shrine itself in the bygone days, which has now seemingly got reduced to a customary visit of the Kshetrapalaka. In fact, this is similar to the worship offered to the Shiva Linga behind Lord Narasimha in Ahobilam in the cave, neglected on all days other than on Shivaratri.

6. On Vinayaka Chaturthi, Modakas or Kadubu is offered to Lord Venkatadrisha, suggesting his swarUpa as Lord Mahaganapati.

7. Shiva Rahasya, an Itihasa, describes Venkatadri as the abode of Lord Subrahmanya in his form as a VaTu, without a consort. It is described that the famous tIrtha - swAmi puShkariNi - is named after swAminAtha or kumAra swAmi. This is also indicated by the Sahasranama of Venkateshwara which has the nama: swamidhyeyaya namaH, one who is meditated upon by Kumaraswami. According to some legends, Vishnu and Subrahmanya worshipped Dakshinamurti in the hill of Venkatam and attained oneness with each other and the Lord. Another name, kartikeyavapushe namaH is suggestive of the same.

8. Also, from the story of Venkateshwara, one can see an episode where he emerges from an anthill, suggesting his oneness with Subrahmanya. It is very common to find names such as Venkatasubbayya or Venkatasubrahmanyam in Karnataka and Tamil Nadu, indicating this forgotten aspect. Also, one should carefully understand the Muttuswami Dikshitar Krti - subrahmaNyena rakShitoham - in Suddha Dhanyasi: venkateshwara namarUpeNa, vichitra vishAkhA mahotsavena. This was later modified as venkateshwara vibhavitena, probably by Semmangudi mama, but pAtti's (DKP) version has the former pATha.

9. The Venkatesha Sahasranama goes like this: venatesho virUpAkSho vishwesho vishwabhavanaH, the very second name indicating his shiva swarUpa. Every hymn, in the first verse, conveys the gist of the entire hymn by indicating the central focus of the hymn, the path or the philosophy adopted to elaborate on the chosen subject etc. The first verse has no mention of any of the popular epithets of Vishnu at all. Exactly 500 names apply to Shiva in this Sahasranama and 500 to Vishnu.

10. The feet of the idol is underground, which is a necessity for all Shiva murtis according to kAmikAgama

Association of Sri Venkateshwara to Sridevi:

1. Lord has Simha Niketanam [emblem is a couchant lion] which is peculiar to forms of Sridevi everywhere.

2. The special annual festival of the Lord is performed during Sharannavaratri, special to Sri Lalita.

3. Swami is bathed in Manjal or turmeric every friday, which is generally a prescribed practice for Amba [Durvasa Samhita, 29-6].

4. To this day, auttareyas worship Lord as Balaji - non-different from Sri Bala Tripurasundari, and it is believed that the prosperity of this shrine is due to a Srichakra established by Adi Shankara somewhere on this hill.

5. Lord's waist is very slender which, according to sAmudrikA shAstra, is characteristic of Ambika.

6. Lord's hair is very long, reaching the knee, again characteristic of Ambika.

The Gayatri associated with Venkateshwara Ashtakshari is:

OM vekateshAya vidmahe tripatinAthAya dhiimahi tanno sriinivAsaH prachodayAt ||

What we currently refer to as Tirupati, is a distortion of `Tripati'. Tripati is the original name of the place, metaphorically referring to Ajna chakra, where the three nADis iDA, pingaLA and suShumnA join. Lord, situated above this hill in an elevated place, which is sahasrAra, is tripatIsha or vekatesha. Tripati also refers to that Brahma Vastu, who is the Lord of three kUTas - vAgbhava, kAmarAja and shakti, which form the three elements of the mantra of Sri Bala Tripurasundari. Or, tripadi is an alternate reading, which refers to Kundalini Shakti residing in a triangle or trikona in mUlAdhAra, who reaches her Lord Paramashiva, called here as Venkatesha or tripadi-Isha residing on the seventh hill of Sahasrara, after crossing the six chakras [mUlAdhara to AjnA], represented by six hills.

Thus, it would be limiting to exclusively associate Sri Venkateshwara with Shiva, Shakti, Vishnu, Subrahmanya or Ganapati. He represents any/all of them. Today someone orwarded an article written by yet another Professor at some Western University who wrote endlessly on how Samayachara was extinct, a concoction of Brahmins [Brahmin-bashing I thought was Karunanidhi's patent, by the way the latest I heard was that the Brahmins were responsible for global warming, for Bush's war in Iraq and for the outbreak of Bird flu], how interpretation of Srichakra was incorrect in Samaya form [The Srichakra at Kamakshi temple, drawn by Sri Durvasa, prescribes to the rules laid out in Shuka Samhita, later quoted by Lolla Lakshmidhara, who represented one school among the five], how nyAsa is impossible [he seems to have no clue of samayAchAra as nyAsa is performed in Shatchakras and according to samanvayAdhikarana], how everyone followed Kaula but called it Samayachara etc. It is the mindset of the ignorant to reject what is beyond their realm of perception or understanding as untrue. Some sane unbiased thinking guided by a study of scriptures and personal experience is the only way out in such cases. The same is applicable in the case of Sri Venkateshwara as well. To conclude, it would be right to call the parama puruSha: shivashaktyaikya rUpiNi or harishankararUpavAn or skandanArAyaNAtmakaH.

govindarUpiNyai namaH

Thursday, March 3, 2011

Tantra in daily life (Part 2)


Sticker bindis that come in various shapes and designs ( the most hideous stickers are images of snakes, scorpions and other reptiles!!!!!!!!!!) abuse the power of 'agna chakra' which is the conscience of oneself. Tattoos are the latest fad. Many get their bodies tattooed according to body fengshui! I found dragons, raging bulls and other wild animals tattooed on arms, backs of people in my recent trip to the US. Imagining the consequences of wearing such sticker bindis or tattoos in the shape of wild beasts made me shudder!
To wear divine images or writings on the body conveys an attitude of recklessness towards religious principles. Making light of divine symbols and signs is nothing short of blasphemy. What should be placed on the altar of worship is abused when used for decorating the naked skin of a person, be it male or female! I have noticed women wearing sanskrit "OM" stickers on their arms and God forbid... even on their midriffs!
Such acts incur corresponding karma and are best avoided.
Designs made out of the leaves of Lawsonia inermis (marudhani in tamil, gorintaaku in telugu, henna in Arabic) is considered auspicious. Both Hindu and Muslim religions consider "mehndi" as auspicious. The red stain on skin which is caused by mehndi is considered a great omen especially for brides who decorate their hands and legs with the paste made out of these leaves. Application of the same even on regular days invokes auspicious events in one's life.
Betel leaf is yet another leaf that stains the body red ( the tongue to be precise) and considered to be equally auspicious ! Red is regarded as an auspicious colour for promoting love and passion which makes mehndi and betel leaves the most naturally auspicious symbols for celebrations and joyous occasions. Poor man's mehndi which is known as "alta" or red-dye is almost as good as mehndi for invoking love and auspiciousness into one's life.
Coming to body fengshui, the addition of a black or red mole on the correct place (by determining the north, south, east, west of the face) are believed to bring about changes. Come to think of it, even parting of the hair determines little occurences in day to day life. If someone has a side parting and is looking for a change, all he/she has to do is to change the side (from right to left or vice versa) or go for the middle parting. And wait for the changes to happen! It could happen sooner or a little later, but HAPPEN they will! Only caution here is to beware of adverse changes! If the results are negative, quickly revert back to the known devil, that is the old parting! The latest zigzag parting is a big NO NO!
During an interesting conversation with a tantrik, I learnt that there is a surefire remedy for artistes, especially women artistes and other popular personalities who are prone to negative effects of "drishti' or evil-eye. 'Drishti'/evil-eye results in the affected person falling gravely sick or even meeting with some freak accident! To divert the evil-eye or 'drishti' of public gaze, the tantrik advises the public personality to wear oodles of jewelry and other attractive accessories on the body. He asserts that the public attention is diluted/diverted by the presence of overwhelming jewelry and silks. The 'evil-eye' instead of being centered on the person in lime-light strays to the artiste's jewelry and other effects like, silks and flowers too! Of all jewelry, he claims that pearls are the best in capturing 'drishti'! (To be continued......)

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